• G. Di Martino, ‘The Reception of Aeschylus in 16th-century Italy: The Case of Coriolano Martirano’s Prometheus Bound (1556)’, in Making and Rethinking Renaissance: Between Greek and Latin in 15th-16th-century Europe, Berlin: De Gruyter (2019), pp. 125-142. (1 Google Citation).
  • G. Di Martino, ‘Vittorio Alfieri’s Tormented Relationship with Aeschylus: Agamennone Between Tradition and Innovation’, Anabases 29 (2019), pp. 121-133. Read Here (4 Google Citations)
  • G. Di Martino, Translating and Adapting Aeschylus’ Seven Against Thebes in America, Verona: Skenè (2020). Read Here
  • M. Bastin-Hammou, G. Di Martino, C. Dudouyt, L. Jackson (eds.), Translating Ancient Greek Drama in Early Modern Europe: Theory and Practice (15th–16th Centuries), Berlin: De Gruyter (2023). (1 Google Citation). Review.
  • G. Di Martino, C. Dudouyt, ‘Introduction’, in Translating Ancient Greek Drama in Early Modern Europe. Theory and Practice (15th–16th Centuries), Berlin: De Gruyter (2023), pp. 1-16. (1 Google Citation)
  • G. Di Martino, ‘Translating Ancient Greek Tragedy in 16th-century Italy’, in Translating Ancient Greek Drama in Early Modern Europe. Theory and Practice (15th–16th Centuries), Berlin: De Gruyter (2023), pp. 137-158. (3 Google Citations)
  • F. Bortoletti, G. Di Martino, E. Refini (eds.), Memory and Performance. Classical Reception in Early Modern Festivals, Skenè: Journal of Theatre and Drama Studies, Vol. 10 No. 1 (2024). Read Here (1 Google Citation)
  • G. Di Martino, F. Macintosh, ‘Iphigenia in Early Modernity: The Forgotten Phase in Her Reception History’, in Performance and Reception of Greek Drama (Bari, October 2023), Biblioteca della Tradizione Classica, Bari (forthcoming July 2025).
  • G. Di Martino, ‘The Reception of Aeschylus in Modern Times: Translation’, in Brill’s Companion to Aeschylus, Leiden: Brill (forthcoming 2026).