• E. Ioannidou, G. Di Martino, S. Troiani (eds.), (Re)Living Greece and Rome: Performances of Classical Antiquity under Fascism, Fascism: Journal of Comparative Fascist Studies 12, no. 2 (2023): 107-331. Read Here
    • G. Di Martino, ‘The Living Archive: Archiving and Documenting Classical Performance during Fascism,’ in Re)Living Greece and Rome: Performances of Classical Antiquity under Fascism, Fascism: Journal of Comparative Fascist Studies 12, no. 2 (2023), pp. 183-205. Read Here (Full Text Views: 391; PDF Views & Downloads: 655)
    • E. Ioannidou, G. Di Martino, S. Troiani (eds.), A Hellenic Modernism: Greek Theatre and Italian Fascism, Classical Receptions Journal 16 (2024) 1. Read Here (1 Google Citation)
    • G. Di Martino, ‘Constructing a Hellenic Modernism: Aeschylus at the Ancient Theatre of Syracuse (1914-1930)’, in A Hellenic Modernism: Greek Theatre and Italian Fascism, Classical Receptions Journal 16 (2024) 1. Read Here (1 Google Citation; 817 Views)
    • G. Di Martino, E. Ioannidou, S. Troiani, ‘Introduction’, in A Hellenic Modernism: Greek Theatre and Italian Fascism, Classical Receptions Journal 16 (2024) 1. Read Here (1 Google Citation; 1,351 views)
    • G. Di Martino, ‘Mediterraneanism, Greek Tragedy, and the Fascist Empire at the Roman Theatre of Sabratha (1937-1938)’, in Classics and Italian Colonialism, Berlin: De Gruyter (forthcoming July 2025).